AEW Blockbuster have been discovered by a future plans for Mercedes Mona
Mercedes Mone may seem to have already found herself a new opponent. New details about future plans for executive director have come to light.
This week at Aew Dynamite, Mercedes Mona interviewed Backstage by Renee Paquette when Harley Cameron interrupted them with a guitar in his hand. She performed a questionable song before trying to get a match against the TBS champion. However, the Executive Director closed quickly, stating his terrible victory/loss record as a reason why he was not responsible for the match.
Now, Fightful Select to report Aew Working on plans that the matches between executive director and Harley Cameron for the Grand Slam, which will be held on February 15, 2025 in Australia.
“As indicated on last night’s show, the work plan for the Grand Slam is Mercedes Mona Vs. Harley Cameron.” [H/T Ringside News]
Mercedes Mona commented her exit from WWE
Mercedes Mona first named for himself in WWE Under the name of the Sasha Banks ring. She has been fighting for a promotion with headquarters in Stamford for several years. Surprisingly, she left the company 2022. Since then, she has been fighting for Njpw and is now signed for Aew where he holds multiple belts that have made her one of the best female wrestlers in the world.
During the recent interview with Sherri, former Sasha Banks said that even though she felt scared to leave Wwe, that was the most important thing she did in her life. She also mentioned her transition from the boss to the executive director, allowing her to take women’s wrestling to the next level. She said:
“It was the most terrible thing I’ve ever done in my whole life. But that’s the most important thing I’ve ever done in my whole life. Because I really found myself. I moved from Sasha Banks, a lawful boss, to Mercedes Mona, Executive Director of my own life . You want to grow, you have to go. [From 2:30 – 3:08]
It will be interesting to see if the dominant ride will continue in all elite wrestling.
Edited by Brandon Nell