Critics Perrine Quennesson takes us through the latest editions in the world of French cinema, with two family stories that carry us into convincing versions of France in the 1960s and 1990s. “My mother, God and Sylvie Vartan” tells the story of a dedicated mother, played by Leïla Bekhti, who is ready to move the mountains for her son. In the meantime, “Queen Mom” records the experience of a family of immigrants as they confront the stereotypes of the North Africans and try to overcome the obstacles planted in their path; The film also offers a comic and fantastic takeover of one of the body classes of French history. The volcano on the verge of eruption in Guadeloupe distilled social and political tension in “Magma”, and we talk about Thierry Frémaux’s love letter to the brothers Lumière, while documenting the birth of cinemas and its modern conventions.
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