24Business

I quit my six-figure paying job to start a business – despite the bleak situation


Jeremy Weil is stepping down from his role at the Economist to focus on his coloring book startup – Paul Grover for The Telegraph

I’ve wanted to start my own business for as long as I can remember. Even at the age of five I would print out little fake business cards with “consultant” on them. But while I’ve spent the last 15 years or so either investing in start-ups or trying to create them myself, with varying degrees of success, I’ve always had to juggle my passion for entrepreneurship with the demands of a full-time job.

That’s it so far. I am called time in office life to fully commit at Color Your Streets, a start-up I founded with my wife, TV presenter Emma Barnett, a year ago. To do that, I’m giving up my six-figure job at The Economist’s intelligence unit, where I was product manager. Before that I worked for Reed Business Information and Deloitte.

People say The UK is no longer good for businessbut that hasn’t been my experience – although there are certain things I haven’t tried to do, such as raising money. What I can say is that there were very few barriers to getting started, and there are so many fantastic tools available.

I had to quit my job because what started as a spark of an idea became a full-time job in itself.

Ema and I were on joint maternity and paternity leave in 2023. Our five year old has developed a taste for coloring books and to keep him entertained we wanted to find one that would allow him to color pictures of the local area – Herne Hill in South London. We were surprised to find that nothing like that existed, well we set out to make one ourselves.

Jeremy Weil started Color Your Streets so his five-year-old could color pictures of his local area – Color Your Streets

At the time, we didn’t expect that this idea would end up taking over our lives. I started by taking a few pictures of the neighborhood on my phone and then used AI to generate book templates. I got my first shot at printing a book, but at the time I didn’t know anything about paper quality or anything like that.

Still, it was exciting to see an idea come to life for little more than a few hundred pounds.

We no longer use AI – these days we work with a handful of designers – but in the very beginning it was a brilliant and effective tool. You can ask him to suggest a color palette for a kid-oriented brand and he’ll give you great suggestions. This was especially helpful as I am color blind.

I was convinced that we were on the trail of something special. We made a second series of books, expanding the areas we covered, and started showing them to friends and their children. A positive reaction immediately followed, especially among children. When you show something to a five- or six-year-old, you’ll know immediately if they like it or not. They do not hide their reactions – they are brutal. It was interesting to see how they immediately connected with their areas and buildings and landmarks, even things as simple and humble as the bench they were sitting on in front of the station. It meant much more to them than something general.



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